Essentially this is a public service announcement on the cons and cons of touring San Fransisco. Some will live to tell the tale. Others will merge with Skid Row through osmosis. But all will learn the defintion of of "Ordering the Portuguese Breakfast".
Dont let the bandana fool you. This cholo's 'tough guy' persona is about as real as his pleather jacket. Such is illustrated after Gianna does the unforgivable - an unconsensual snowball attack - which he takes like a total bitch. This is funny as fuck.
"Django the Fifth's Revenge" is the story of a self-proclaimed "black cock beast" on a mission. Notice the highly viscous load of seminal fluid dangle dancing off her chin the whole scene.
Ya know for a girl that's spent this much time in tattoo parlors, you'd think a forehead big enough for UBER to charge $17 to go from nose to scalp would get a little bit more attention. Then again, something tells me rational thinking isn't one of the tenants of someone who writes "when I fuck i dont give a fuck" 6 inches away from their shitter.
4 out of 5 physicians would advise against this kind of behavior, especially in public venues. But a life of chronic digestive and reproductive complications doesn't really seem to concern these prodigies. Big risks = more clout. And more clout = more fashionably retarded short form content.
Five of the most WTF porn moments we could find. A nut covered woman beating up a midget, the first female cumshot caught on film, Tory Lane's broken brain and an innocent question with a very questionable answer.
Flat-chested girls everywhere rejoice because there's worse things in life than having no tits. You could have weird tits and add implants, leaving you with gigantic weird sideshow tits. And back problems.
Layin' pipe only has a few rules: 1) Look as little like Harvey Weinstein as possible 2) develop stamina and 3) maintain an erection harder than a bowl of Campbell's tomato soup. Not exactly a difficult list... but this Khokhol is determined to challenge at least 2 key items today. GG NO RE
