Ya know, I've always wondered what kind of standard the director of these JAVsterpieces are looking for when filming this bullshit. Like if the floater doesn't reach max buoyancy during the first take, does the entire production have to shutdown so "Shart Girl #2" can hit up catering to fill up on cabbage? The west may never know. #SP-672
The upside to being treated like the exhaust pipe of a Chevrolet El Dorado? Literally nothing. All you have to do is breath and the alpha male fantasy fan fiction will magnetize to you like a herpes outbreak at a Playboi Carti concert.
Turns out the 1987 original was supposed to be even more violent. With the new remake getting a PG-13 rating, with it comes the almost certainty to destroy the ultra-violent badass awesomeness of RoboCop and change him into a SFW metal pussy. Source: Ourrobocopremake.com
I'm all for experimentation (specifically in Home Depot's garden accessories section), but for real... like Jerry's Final Thought real: Eventually this behavior is going to end up with a perforated colon the size of Gary Coleman and then it's GAME OVER YEEEEAAHH.
Who the fuck comes up with these hybrid fetish flicks? Next time you producers want to get creative, how about coating a machete in Zoloft and fucking Logan Paul up the cornholio until he's smiling like Matt Damon on the cover of Good Will Hunting? Google it.
"I'll tell ya one thing about my personal life that I've never told before. I never fucked a ten, but one night, I fucked five twos. And I think that ought to count. I think that ought to go in your record as a positive achievement." - George Carlin
♫18 naked cowboys in the showers at Ram Ranch ♫ Big, hard, throbbing cocks wanting to be sucked ♫ 18 naked cowboys wanting to be fucked ♫ Cowboys in the showers at Ram Ranch
I gotta say; supreme vag on the redhead. Haven't seen a pair of lips that impressive since the time I got caught with a VHS rip of Fast Times at Ridgemont High and the last jar of Smuckers Sweet Orange Marmalade. Mother's Day hasn't been the same since.
