There's a very thin [blood]line between what's acceptable and what isn't in the world of semi-professionally produced porn. I'm not telling you I know where that line is. But I do know Fujisan Ned Flanders just fucking diddly doodly crossed it.
To fully appreciate this, first watch [Part 1] + [Part 2]. This guy isn't just any mope. This is Corn - the likely autistic, positively virgin pornstar that partook in 114 bukkake shoots, 113 of which the beneficary of his cumshot was a cement wall. Starting to understand the significance of the title?
Round #2 in a series that showcases the authentic side of some of our most interesting citizens. I'm not exactly sure what life choices have to be made to end up here, but it probably has something to do with blue checkmarks and whatever they put in those Impossible burgers.
A five minute crash-course on how to squeeze every moment out of your favorite side piece, as illustrated by the shameless, the morally-deprived, and the defenders of all things Insane Clown Posse. It's priceless information really. Trust me on this one.
Much like Robocop 1-3, this goes from mildly erotic to fucking horrible pretty darn fast. Tipping point involves a Cambodian that apparently tried to high-five a weed wacker.
Sonuva bitch... dude's packing the kind of penis that can only be described as "an emergency every time I have to take a piss". Time to call up AARP and find out what size wheelbarrow they're willing to cover for this kind of disability. Something in a dual-wheel polycarbon should do it.
It's too bad they don't do returns or exchanges, because these tits look like fuckin' grocery bags with cabbages in them. UGH...would totes still smash, but shit them titties fucked up yo!
You know what you get when you cast a guy that looks like he still gets the crust cut off his peanut butter and banana sandwiches? Believability mother fucker, that's what. Remove the Bangbros logo and scatter a few Star Wars Amibos in the background and I would have defended it's authenticity until the end of time.
